For Canon and Nikon shooters looking to get a fast ultrawide, the choices in the past have been the Nikon 14-24mm f/2.8, Canon 16-35mm f/2.8, and Tamron 15-30mm f/2.8 VC. Or, go with an f/4 lens and get the Canon 11-24mm or Sigma 12-24mm. Sigma has now joined the mix with its own 14-24mm f/2.8, and we got a chance to use it for a few days to see how it performed.
Like many of Sigma’s other Art lenses, the 14-24mm is a substantial hunk of glass. The build quality feels great, the focus and zoom rings have a nice amount of resistance to them, and the inside of the lens cover has a strip of felt that holds the cap on snugly, without leaving marks on the lens hood like I’ve seen on some used Nikon 14-24mms.
Being an Art series lens, the Sigma 14-24mm is optimized for use on high-resolution cameras and uses FLD and SLD glass along with aspherical elements. Per Sigma, the lens has “near zero distortion” (less than 1% at infinity focus). After using the lens for some outdoor photography, any chromatic aberration, ghosting, and flaring were minimal to nonexistent in most situations (though shooting into the sun wasn’t possible with the sun deciding to hide behind clouds here in Cleveland for the last week).
The only noticeable downfall of this lens after spending a few days with it is the vignetting when shooting at the wide end of the focal range. It’s easy to correct and will hopefully be an easy fix once Lightroom releases an update that includes the lens (manually selecting the Nikon 14-24mm f/2.8 in Lightroom eliminates almost any signs of it).
- Works with most Canon camera’s Lens Aberration Correction feature.
- Optional hood conversion service by Sigma. Sigma will swap out the petal hood for a shorter round hood to avoid shadows/interference with multi-cam VR applications.
- Dust and splash-proof design used that it found in Sport series lenses.
- Compatibility with Sigma’s MC-11 converter & USB Dock
- Close focus distance is about 10”
Like most of Sigmas art series lenses, the 14-24mm is nice and sharp. The AF performance was equal to other wide angle lenses, with fast lock-on times and little to no hunting for focus, even in lower lit situations. Though only using it for a few days, initial impressions on the lens are quite positive from everyone that has had the chance to use it.
All photos were taken with a Canon 5D Mark IV. (The first photo has no corrections applied. 2nd had Nikon’s 14-24mm selected in Lightroom.)
We gave the lens to local photographer Sam Young (Sam Young Studios) who used it to photograph some downtown Cleveland scenes, as well as a classic Ferrari, and a Porsche (courtesy of Porsche of Beachwood).
About the author: Ihor Balaban is a photographer and store manager of the camera store Pixel Connection in Avon, Ohio. To learn more about the store, head over to the Pixel Connection website. This post was also published here.