Over the past few weeks, the PetaPixel tip line has been flooded by reports of Instagram ‘shadow banning’ accounts. This practice, ostensibly limited to business accounts, is destroying engagement on these photographer’s profiles.
Two pairs of researchers from Cornell University and Adobe have teamed up and developed a “Deep Photo Style Transfer” algorithm that can automatically apply the style (read: color and lighting) of one photo to another. The early results are incredibly impressive and promising.
So much of the world today is invisible to cameras. Technology operates in a light-less world of zeroes and ones, electromagnetic waves that fly over our heads in ever-increasing abundance.
For his fascinating project Digital Ethereal, designer Luis Hernan set out to capture one of these invisible signals, WiFi, using a creative combination of long exposure photography and an Android app.
Most car commercials involve big budgets, test drivers, and excursions to exotic far-away lands—unless, of course, you hire miniature photography master Felix Hernandez. For his latest assignment with Audi Middle East, Felix created his own personal desert and roadway right in the comfort of his own studio.
Oops. A few days ago, we reported that Target had launched a new, Photoshop-free social media campaign for their new swimsuits. The company has been praised for the move, but some of their ambassadors might not be playing along. A couple of the photos show signs of being ‘shopped.
There is a lot of misunderstanding and confusion on the subjects of depth of field, the difference between full-frame and crop sensors, and the ‘crop factor.’
My name is Paul Bruins and I am hopelessly addicted to panoramas. It has now been 48 hours since my last fix. If I don’t shoot up at least one fresh panorama per week, I start to experience severe withdrawal symptoms.
Credit where credit is due: this is a creative workaround. If you need a way to stabilize your footage, but you don’t have any kind of gimbal or steadicam to work with, why not just shoot the thing by hand-holding your drone?
Photographer Ming Thein recently did something most photographers would consider crazy: he shot a dimly-lit festival, held in a cave outside Kuala Lumpur, Malaysia, on a 100MP Hasselblad monster.
Ready for some rapid-fire DIY tips? A team of French photographers who goes by the moniker “Shootr” has put together a simple photo hacks video that offers a few creative ideas for your next portrait shoot.
User interface designer Brad Colbow has sparked a conversation about Adobe’s mobile app lineup with the 5-minute video critique above. It’s titled “Dear Adobe, Your Mobile Apps Are a Mess.”
If you’ve ever loaded up a large camera backpack (like something from Think Tank Photo or LowePro) and hiked a mountain, you’ll be able to fully appreciate how terrible the experience is… well, except for the views.
I always say the Universe’s favorite hiding place for the most awesome stuff is right behind fear. Isn’t that a little unfair? Why doesn’t the Universe put the great stuff right before the fear, so everyone can enjoy pure bliss?
Huseyin Sahin is one of the most talented digital artists you’ll find online. Following in the footsteps of other incredibly skilled artists like Erik Johansson, he’s got a stunning talent for creating surreal scenes by blending together digital photographs.
The folks at National Geographic just did a solid favor for all the adventurous outdoor photographers out there. They put every US Geological Survey (USGS) topographical map from across the United States on one easy-to-navigate site and made them easy to print out at home.
A couple of weeks ago, Ted Forbes of The Art of Photography released a well-received video called WHY GEAR DOESN’T MATTER. This rebuttal, posted by Marc Falzon over at Analog Process, is one of the best arguments for how and why gear DOES matter that we’ve seen.
Commercial photographer, blogger, and long-time Hasselbald user Ming Thein has been named Hasselblad’s new Chief of Strategy, a move that is delighting the photo industry.
The battle is over, and full frame cameras have lost the race. Here’s why.
Chuck Kennedy is a former White House Photographer and worked as Assistant Director of the White House Photo Office during the Obama Administration.
Bentley has captured what they’re calling “the world’s most detailed landscape photo”: a 57.7 gigapixel interactive ad stitched together from 1,825 individual frames captured from atop one of the tallest towers in Dubai.